MP3 SELECTS: New Music From RÜFÜS DU SOL, TRICKSTAR, & More
In the modern era, distribution services push out over 60,000 new tracks every single day. How do you cut through all the noise, select what to listen to, and boost your playlist game? Introducing MP3 SELECTS, our weekly rundown of new music in the festival sphere. Shuffle through this week’s selections on our MP3 SELECTS playlist and read more about this week’s round-up below:
STAFF SELECTIONS
SELECTS by CONNOR PHILLIPS
TRICKSTAR, Gladez — “Left Right”
TRICKSTAR, the explosive new trap project from electronic heavyweights Ookay and Bailo, team up with Gladez for their debut single “Left Right,” out now on Dim Mak Records. Fusing thunderous low-end with razor-sharp energy, the track sets the tone for TRICKSTAR’s bold entry into the next era of trap. After turning heads at global stages like High Water Music Festival and Tape B’s sold-out Palladium show, the duo is set to headline Denver’s legendary Cervantes this August.
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RÜFÜS DU SOL — ‘Inhale / Exhale (Remixed)’
The Inhale / Exhale (Remixed) album brings a fresh wave of energy to RÜFÜS DU SOL’s acclaimed LP, with a global cast of forward-thinking producers reinterpreting each track through their own late-night sonic lens. Itsi remix roster reads like a who’s who of underground innovators — Carlita, Francis Mercier, Sofia Kourtesis, Andrea Oliva, Emanuel Satie, Enamour, Nitefreak, Maxi Meraki, Kaz James, Fahlberg, Moeaike, Arodes, Rockin Moraccin, and SAMM — each lending their signature touch to the project. The remix album also includes Adriatique’s already beloved version of “In The Moment,” adding to a collection that spans deep house, melodic techno, afro-tech, and experimental club sounds.
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Jules Liesl — “Cherry” (James Hurr & Karsten Sollors Remix)
“Cherry” gets a fresh spin as James Hurr and Karsten Sollors deliver a sleek remix designed for the dancefloor. Reimagining Jules Liesl’s breakout track with a smooth Afro house rhythm, the duo brings tight percussion, warm bass, and clever vocal edits that add new dimension without losing the original’s charm. Hurr and Sollors’ combined experience across major labels and respected house imprints shines through, resulting in a remix that is polished, groovy, and primed for tastemaker sets.
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FOLLOW KARSTEN SOLLORS: SPOTIFY | SOUNDCLOUD | INSTAGRAM
MANLY — “BLOOD BATH”
“BLOOD BATH” delivers a punishing dose of tearout and riddim, with MANLY locking in on a sound that is both ferocious and deliberate. The track opens with eerie textures and brooding FX, slowly winding up tension before unleashing its explosive core. Once the drop hits, jagged percussion and crushing basslines take over, ripping through with mechanical force. What sets this one apart is the attention to pacing — intensity is balanced by moments of suspense, making every section feel earned. With its destructive energy and surgical execution, “BLOOD BATH” is built to devastate.
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PLS&TY, Miggy Dela Rosa — “Into The Light”
PLS&TY steps into a bold new chapter with “Into The Light,” the title track of his latest EP on Dim Mak. Featuring powerful vocals from Miggy Dela Rosa, the lead single blends fast-paced drum & bass rhythms with a euphoric topline that carries an undeniable sense of momentum. Rolling basslines and sharp percussion create a dynamic foundation for the track’s uplifting message, striking a balance between emotional depth and dancefloor energy. As the centerpiece of the three-track EP, “Into The Light” perfectly sets the tone for a collection rooted in hope, growth, and forward motion.
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Bexxie — “Dansez”
Bexxie’s “Dansez” isn’t asking for permission — it is ordering you to move. Anchored by acid-soaked grooves, crisp percussion, and a hypnotic beat, this track channels the spirit of a ’90s warehouse rave with a modern edge. The French vocal loop, “dansez maintenant” (“dance now”), spirals around the rhythm like a commandment, growing more urgent with each repetition. More than just a club tool, “Dansez” is a percussive, groove-heavy ritual that blurs the line between instruction and instinct.
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